metope 3d models

Model of a metope created with XirusCAD (for Rhino).

Marble metope of Herakles and the Cernian Hind from the Treasury of the Athenians at Delphi Created from 8 images captured on June 5, 2016

... on the Mycenae Acropolis. ...Metopes are rectangular and often decorative elements of architecture that fill the space between two triglyphs in a Doric frieze, which is a decorative band around a building. ...This one probably depicts a warrior. 

... to Emperor Trajan. ...The two are dressed in tunics, with short pants, cape and a gladius. The metope was part of the monument to Emperor Trajan and is dated between 106-109 A.D. MATERIAL: Limestone. ...LOCATION: Adamclisi Museum, Adamclisi, Romania.

There is a tendency to recognize the bridegroom Pirithous on metope 11 and the bride Deidamia on metope 25 but there is no conclusive evidence for these identifications. On metope 29, features of the mature Classical style can be traced on the face...

There is a tendency to recognize the bridegroom Pirithous on metope 11 and the bride Deidamia on metope 25 but there is no conclusive evidence for these identifications. On metope 29, features of the mature Classical style can be traced on the face...

There is a tendency to recognize the bridegroom Pirithous on metope 11 and the bride Deidamia on metope 25 but there is no conclusive evidence for these identifications. On metope 29, features of the mature Classical style can be traced on the face...

There is a tendency to recognize the bridegroom Pirithous on metope 11 and the bride Deidamia on metope 25 but there is no conclusive evidence for these identifications. On metope 29, features of the mature Classical style can be traced on the face...

There is a tendency to recognize the bridegroom Pirithous on metope 11 and the bride Deidamia on metope 25 but there is no conclusive evidence for these identifications. On metope 29, features of the mature Classical style can be traced on the face...

There is a tendency to recognize the bridegroom Pirithous on metope 11 and the bride Deidamia on metope 25 but there is no conclusive evidence for these identifications. On metope 29, features of the mature Classical style can be traced on the face...

There is a tendency to recognize the bridegroom Pirithous on metope 11 and the bride Deidamia on metope 25 but there is no conclusive evidence for these identifications. On metope 29, features of the mature Classical style can be traced on the face...

There is a tendency to recognize the bridegroom Pirithous on metope 11 and the bride Deidamia on metope 25 but there is no conclusive evidence for these identifications. On metope 29, features of the mature Classical style can be traced on the face...

There is a tendency to recognize the bridegroom Pirithous on metope 11 and the bride Deidamia on metope 25 but there is no conclusive evidence for these identifications. On metope 29, features of the mature Classical style can be traced on the face...

There is a tendency to recognize the bridegroom Pirithous on metope 11 and the bride Deidamia on metope 25 but there is no conclusive evidence for these identifications. On metope 29, features of the mature Classical style can be traced on the face...

The metopes of each side of the building (14 each on the eastern and western walls, 32 each on the northern and southern walls) had a different subject, and together with the pediments, Ionic frieze, and the statue of Athena Parthenos contained...

There is a tendency to recognize the bridegroom Pirithous on metope 11 and the bride Deidamia on metope 25 but there is no conclusive evidence for these identifications. On metope 29, features of the mature Classical style can be traced on the face...

Reconstruction Model of North Metope 32, using State Model.

Furthermore Herakles is left with no tangible proof....The local setting must account for its inclusion…and especially for its setting at the end of the metope cycle.” More information: https://goo.gl/ZV9A1S Tools: Cinema 4D, Adobe Illustrator and...

“The eleventh metope…represents what is usually considered the final Labor, that of bringing Cerberus from Hades....Hermes occupies the right side of the metope, as indicated by his right foot and the outline of his legs. His purpose was to charm the...

Eurystheus has jumped into a pithos in order to hide....The Olympia metope exhibits its Early Classical character in the emphasis of simple geometric forms: the horizontal boar, the vertical tree on the left, the strong diagonal of Herakles’ body...

“The metope…is composed of the strong vertical elements: Athena on the left, Herakles in the middle temporarily supporting the Heavens and Atlas, who has just returned from collecting the apples, on the right.” More information:...

“The eighth metope…illustrates the taming of the horses of Diomedes of Thrace....[T]he number of characters has been reduced to Herakles and a single horse. The compositional scheme is similar to that of the Cretan Bull Metope, with the hero and the...

... die ihn mit der linken Hand beim Tragen des Himmelsgewölbes unterstützt. Das Vorbild der gezeigten Metope ist aus Marmor und datiert um 470-450 v. Chr. ...Der dazugehörige Zeus-Tempel gehört zu den berühmtesten Bauwerken der antiken Architektur.

“The subject of the ninth metope…is the theft of the cattle of Geryon....The Olympia depiction is unusual in that it not only neglects the cattle which are the ultimate goal of Herakles’ deed, but also the shepherd and two-headed dog who guard the...

Emperor Trajan in campaign clothing, with lorica graeca, joined by two soldiers in mail shirts, helmets and rounded shields. In the background there are two trees. Dated from the years 106-109 A.D. MATERIAL: Limestone. ...LOCATION: Adamclisi Museum,...

Fight between a Roman Legionary and a barbarian fighter. The first stabs the second with a sword. The Roman soldier is equipped with mail shirt, helmet, shield and gladius, meanwhile the barbarian has a sword with curved blade (probably Dacian).

Fight between a Roman Legionary and two Dacian fighters. The first is stabbing one of the two with a sword. The Roman soldier is equipped with mail shirt, helmet, shield and gladius, meanwhile the barbarians has a sword with curved blade. Dated from...

Fight between a Roman soldier (equipped with mail shirt, helmet, holds a shield and a sword) and two Dacian barbarian warriors. The third Dacian barbarian is dead, indicating the definite victory of Romans. The first two barbarians have swords with...

A centaur with pointed ears carries off a struggling girl. ...His mild expression is out of keeping with the violence of his action. 

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